Catherine of Aragon was the daughter of Ferdinand of Aragon and Isabella of Castile, the widow of Arthur, Prince of Wales, and the first wife of Henry VIII. She served as regent during Henry’s French campaign and celebrated the English victory at Flodden, but only one of their children, the future Mary I, survived infancy.
When Henry sought an annulment, Catherine insisted that her first marriage had not been consummated and refused to surrender her title as queen. Catherine of Aragon was born in Alcalá de Henares and died in Kimbolton Castle.
Philippa Gregory’s The Constant Princess follows Catherine of Aragon from her marriage to Arthur through widowhood and the long struggle to become Henry VIII’s queen, making her determination and dynastic self-belief the centre of the story. Alison Weir’s Katherine of Aragon likewise gives Catherine the principal viewpoint, while Jean Plaidy’s Katharine, the Virgin Widow concentrates on the uncertain years after Arthur’s death and the disputed question of whether that first marriage was consummated. Hilary Mantel’s Wolf Hall sees Catherine from Thomas Cromwell’s side of the king’s ‘Great Matter’, where her refusal to accept annulment becomes both a legal obstacle and a political force. Antonia Fraser’s The Six Wives of Henry VIII restores the non-fictional Catherine to the wider history of queenship, fertility, diplomacy and the succession, showing why her marriage could not be reduced to the prelude to Anne Boleyn.