Margaret Tudor was the eldest daughter of Henry VII and became queen of Scots by marrying James IV. Widowed after Flodden, she served as regent for the young James V but lost authority after marrying Archibald Douglas.
Margaret’s political position repeatedly depended on marriage and control of her son James V. Her union with Archibald Douglas weakened her regency and drew her into a long struggle over custody of the young king; after obtaining a divorce she married Henry Stewart, later Lord Methven. She eventually reconciled with James V and remained an important dynastic link between the Tudor and Stuart houses.
Jean Plaidy’s The Thistle and the Rose follows Margaret Tudor from Henry VII’s marriage diplomacy into her queenship beside James IV and the crisis created by his death at Flodden. Philippa Gregory’s Three Sisters, Three Queens tells much of the same life through Margaret’s own competitive relationship with Catherine of Aragon and Mary Tudor. Paul Doherty’s The White Rose Murders finds the widowed Margaret back in England after Flodden, where her household becomes the setting for espionage and murder. Alison Weir’s The Princess of Scotland shows the consequences of Margaret’s turbulent second marriage through the childhood and dynastic position of her daughter Margaret Douglas. Nigel Tranter’s Rough Wooing carries the Tudor-Stewart inheritance into the reign of Margaret’s son James V, when Henry VIII’s ambitions towards Scotland reopen the dynastic conflict created by her marriage.