Catherine of Braganza was the Portuguese princess who became queen consort of Charles II of England. Her marriage brought a substantial dowry and diplomatic alliance, but she faced anti-Catholic hostility, infertility and the public presence of the king’s mistresses.
Catherine of Braganza also held the offices or ranks of Infanta of Portugal, Queen Consort of Scotland, Consort of England, and Consort of Scotland. Catherine of Braganza belonged to the House of Braganza; House of Stuart and operated within Kingdom of Portugal; Kingdom of England. Catherine of Braganza was born in Ducal Palace of Vila Viçosa and died in Palácio da Bemposta.
Jean Plaidy’s The Merry Monarch’s Wife makes Catherine of Braganza the emotional centre of Charles II’s marriage, following a Catholic Portuguese queen forced to negotiate childlessness, public mistresses and a court in which her political usefulness was constantly measured against the succession. A Health Unto His Majesty tells the same reign more broadly but keeps Catherine’s marriage among the personal relationships complicating Charles’s effort to stabilise the restored monarchy. Susanna Gregory’s The Piccadilly Plot brings Catherine into the political world of Restoration conspiracy and court danger, while Antonia Fraser’s King Charles II places her beside the king’s mistresses, ministers and religious problems in biography. Linda Porter’s Mistresses explicitly contrasts Catherine’s position as childless queen with the influence of the women who bore Charles illegitimate children.