Victorian London grew into the largest city in the world, combining imperial grandeur with overcrowded slums, polluted streets and huge class contrasts. Railways, docks, newspapers, theatres, police, sewers and department stores reshaped everyday life. The city became both a symbol of British power and a case study in urban misery.
Its importance comes from that density of contradiction. London could hold parliament, aristocratic squares, sweatshops, prisons, hospitals, music halls and criminal networks within a few streets of each other. It works especially well as a setting for mystery, social realism, gothic fiction and stories about anonymity in the modern city.
Victorian fiction and fiction set in the Victorian world connect directly to Charles Dickens, Wilkie Collins and Anthony Trollope, while modern historical novels by Sarah Waters, Michel Faber, Laura Purcell and Elizabeth Macneal use the period for crime, class, theatre, sex, medicine and social pressure. Series fiction also works strongly here, from Anne Perry's Victorian mysteries to C. S. Harris's late-Georgian/Regency edge and Oscar de Muriel's darker Victorian investigations. A Victorian archive page can therefore move between canonical nineteenth-century novels and modern historical series set among factories, railways, workhouses, drawing rooms and city streets.